Dating site reveiw
It’s music video stuff—the art form in which my not-quite generation truly excels—and it demonstrates the knack for hyperreality that made Fincher’s Fight Club so compelling while rendering the real world, for so many of his fans, always something of a disappointment.Anyway, the twins lose the regatta, too, by a nose, which allows Fincher to justify the scene by thematic reiteration: sometimes very close is simply not close enough.What power was he hoping to accrue to himself in high school, at seventeen? Except the girl motivation is patently phony—with a brief interruption Zuckerberg has been dating the same Chinese-American, now a medical student, since 2003, a fact the movie omits entirely.At the end of the film, when all the suing has come to an end (“Pay them.), but the puffed chest vertical march (the I’m not 5'8", I’m 5'9"! It’s in Eduardo—in the actor Andrew Garfield’s animate, beautiful face—that all these betrayals seem to converge, and become personal, painful.
This vision is also wafer-thin, and Fincher satirizes it mercilessly. A billion dollars.” Over cocktails in a glamorous nightclub, Parker dazzles Zuckerberg with tales of the life that awaits him on the other side of a billion.
Doubtless years from now I will misremember my closeness to Zuckerberg, in the same spirit that everyone in ’60s Liverpool met John Lennon.
At the time, though, I felt distant from Zuckerberg and all the kids at Harvard.
Still, Fincher allows himself one sequence of (literal) showboating.
Halfway through the film, he inserts a ravishing but quite unnecessary scene of the pretty Winklevoss twins (for a story of nerds, all the men are surprisingly comely) at the Henley Regatta. (One actor, Armie Hammer, has been digitally doubled.
Perhaps Generation Facebook have built their virtual mansions in good faith, in order to house the People 2.0 they genuinely are, and if I feel uncomfortable within them it is because I am stuck at Person 1.0. In The Social Network Generation Facebook gets a movie almost worthy of them, and this fact, being so unexpected, makes the film feel more delightful than it probably, objectively, is.